Margate Harbour at Sunset

It’s half term, so that means getting out for a couple of days with the family.

Yesterday, we drove over to Margate to visit, amongst other things, the Turner Contemporary. We’ve been meaning to get over there for some time but as usual when having the kids and the dog in tow, left later than we’d hoped and went via Reculver beach, so we ended up in Margate at about 3pm.

After getting side-tracked by some great little junk/retro/antique shops and a food stop, we entered the gallery to view the ‘Turner and the Elements’ exhibition.

Turner’s association with the town of Margate started at the age of 11 when he was sent to school there and he returned regularly throughout his life to sketch and paint.

The location of this part of Kent was a huge draw for him due to the quality of the light and many of his famous seascapes were inspired by the East Kent coast. He once remarked to art critic John Ruskin that “the skies over Thanet are the loveliest in all Europe.”

As we exited the gallery just before closing time at 6pm, we had, without knowing, timed it to perfection. This is what we saw. No wonder Turner had been so inspired.

16022012 23 Margate Harbour at Sunset

Margate Harbour at Sunset

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Folio Albums

I’m really pleased to now be offering Folio Albums in one of my wedding photography packages. There are many album companies out there all vying to get the photographer on board with their products. I’ve done a fair bit of research recently, trawling round the trade shows, looking at the products and speaking to the suppliers.

I just like the way Folio Albums operate. The quality is certainly there to see from the materials used in their covers, the archival fine art papers and latest pigment-based inks through to the details like the debossing of names on the cover, the lay-flat pages inside and quality bindings.

I’ve just received my samples this week and am absolutely thrilled with them so here are some images to illustrate how everything looks.

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Presentation boxes for a 12×12″ album (left) and 6×6″ copy album

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Each album comes in its own unbleached cotton bag

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12×12″ (Ebony leather cover) and 6×6″ (Shadow grey canvas cover)

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Debossing on cover

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Invisible crease on lay-flat pages

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12×12″ (above) with scaled-down 6×6″ copy (below)

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Lay-flat pages

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Folio Album leather cover swatches

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Folio Album cotton covers (left) and canvas covers (right)

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For more on my Folio Album package, click here

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Pic of the week #17

This is a variation on my ‘Pic of the week #14.’  I seem to be drawn to photographing members of the public who just happen to be coming by when a posed shot is needed. I suppose I just like to ‘fill in’ a bit. There’s always room for one or two random unknowns in everyone’s wedding pictures.

At least this lady senses the need for urgency at Jo and John’s wedding at The Spa Hotel, Tunbridge Wells.

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Pic of the week #16

This morning, as the temperature dropped and a light flurry of snow appeared, it finally felt like Winter was here.

We seem to have got off quite lightly so far and I’ve even spotted Spring daffodils coming through.

I love photographing Winter weddings. Many photographers are put off by the lack of light and predominance of indoor shots. It’s true that the light is usually gone by 4pm – something that can be missed by couples planning a late ceremony. If you’re lucky and have a good weather day, the light can be amazing but there is usually a trade-off with the amount of time anyone is prepared to stay outside as the fingers and toes numbness sets in.

The inside stuff is no different from photographing a wedding in the Summer. Couples often choose Winter weddings as they want that intimate, cosy feel of log fires and mulled wine.

As a documentary style wedding photographer, I shoot low light situations with fast prime lenses often wide open with the ISO usually set between 1600-6400. I can feel confident in doing this because the files produced by the Canon 5D MKII are lovely. These images that have a great depth of field managing to retain the ambiance of the scene without artificially lighting it with on-camera flash.

Here, the bride Vikki is making her way up to St Margaret’s Church in Ditchling to marry Ben. I’m sure Vikki would have liked to have worn her Ugg boots all day, but she did change them at the church door. The reception was held at Pangdean Farm.

VB 069 Pic of the week #16

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Pic of the week #15

Thought I’d get my ‘Pic of the week’ spot going again as it hasn’t featured for a while.

Here’s one from Eimear and Ross’s wedding in Hartlip, Kent taken in the local St Michael and All Angels Church.

I usually photograph from the back of the church as this is usually the least obtrusive place to stand. But, at times, when the layout of the church (and the say-so of the vicar) permits, I will discreetly move to a second or third position to get a different angle. For me, this is just one of those lovely moments when the bride has looked back at the groom during a hymn, with the guests all gathered behind.

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